How I work
Nature is my greatest muse. I spend much of my time walking barefoot on the earth, in deep listening. Inspiration often arrives unannounced and I find myself at the keyboard, guided by nature’s intelligence and the dialogue received outdoors. I also record the sounds of place—water, plants, birds, frogs, and the elements—for inclusion in a song.
Creating music is a felt experience. Nature’s frequencies reveal themselves as tones, textures, patterns, and cadences I can both feel and hear. They carry cosmic as well as earthly signatures. By resting in stillness, I translate these subtle frequencies into sound through the keyboard, layering them into a track. Each layer becomes an immersive dance between nature, energy, and matter, gradually unfolding into a complete song.
These are not my songs – they are signatures from nature’s greater field of knowing expressed into our material existence.
TUNING FORKS
We are electric beings, each surrounded by a toroidal biofield; a spiraling plasma of standing waves that carries life force through and around the body. When flowing smoothly, this field supports balance and vitality. But emotional stress, trauma, or tension can create dissonance, leading to stagnation or illness.
Inspired by Eileen McKusick’s Biofield Tuning, I work with tuning forks to identify areas of distortion where energy feels stuck or out of rhythm. The forks emit structured, coherent frequencies that don’t force change, but gently invite the system to return to balance through entrainment.
This work is simple yet profound. By locating the “noise” and introducing coherence, your biofield naturally reorganizes. Your own electrical intelligence knows how to restore harmony. As the field re-aligns, the nervous system exhales, the body softens, and natural flow returns.